Category Archives: Burlesque – Performing

You Know When It Works…

Performing. You know when it’s at its best? When the performer is confident, and fully engaged. I know this should be obvious, but it’s something I have to remind myself often. And you know when I am confident and fully engaged? When I really know my shit. So I think the key words here are rehearsal and research. Know what it is that you’re trying to accomplish, and then practice, practice, practice… And that will allow you to be fully engaged in the moment, because what is life but a series of moments, and if the moments you spend on stage can’t be transcendent, then why are you doing what you’re doing? 


What’s Wrong With Me

“What’s wrong with me, ultimately and possibly tragically, is that my will to be entertained is stronger than my will to survive. That I have survived so far with this deficiency is evidence of the strength of my will to survive. Imagine, then, what I’ll do to be entertained… Reputation, sanity, the respect of marriageable men–I’m always willing to risk these things.”

-Jo “Boobs” Weldon

Being Happy Requires Effort

“The secret is that being happy requires effort. It requires REAL intelligence. Anyone can judge someone else, say awful things about them & come up with some bangin’ insult which makes you feel triumphant — for ten seconds, anyway. But it takes real mental discipline & strength to decide to change your mindset, to see the positive in a world which CAN be so messed up. There is absolutely no point in dwelling on the negative, it just sucks you into a downward spiral, & life continues to get messier & more complicated.
The idea of changing how you view the world is a big one. A daunting one, to be sure. Where the hell do you even begin? As with anything big, you have to start with yourself & do the internal work first. There’s an old adage which says something like, “You can’t heal the world if you’re not healed yourself”, & it’s true. It might seem narcissistic or selfish or self-important to decide to tackle your own demons, but it’s really necessary. Otherwise you just end up kicking your own ass & self-sabotaging, & trust me, it gets ugly.”

-Gala Darling


Interview with Artemus Vulgaris


I have to preface this interview with a few notes. First of all, Artemus Vulgaris is also known as Damian Blake, my fiancee. So, needless to say, it took weeks of hounding and effort to track him down for an interview. Eventually, I just trapped him in our bathroom by holding the doorknob from the outside, and withholding whiskey until he talked.

Artemus by Paul Andrews

Your name (stage name, please)?

Artemus Vulgaris (Arty for short)

How long have you been a performer?

I guess I’ve been a performer ever since I was a kid.  I was never really a class clown, I just liked pretending I was someone else and putting on silly costumes.  I did a Charlie Chaplin ‘Gold Rush’ routine in a grade school talent show where I ate my shoe, and a friend and I hosted a 5th grade talent show as Groucho and Harpo Marx, complete with song and dance, harp playing, and sight gags in between each act.  I did theater and musicals in high school, and in college I got a BA in Fine Art and minored in theater.  I started busking as a clown and as a Chaplin impersonator, and joined the KC burlesque scene two years ago.  I hope to still be putting on baggy pants and a silly hat when I’m 95.

Damian Blake (at age 5) impersonates Charlie Chaplin

How would you describe your performance style?

Frequently sweaty and occasionally pants-less.  I think my style differs a little from my burlesque peers in Kansas City because my routines are not always based around a striptease.  I usually create a character that gets themselves into a situation, and then has to resolve that problem onstage.  A musical instrument that falls apart, a small pet that escapes, a magic show that goes wrong.  I like to incorporate over the top, cartoonish gags and nods to an older style of comedy, while giving it a somewhat bawdy twist.   If I’ve made an audience chuckle, I can go home feeling like I’ve done my job.

How did your stage name come about?

When I first joined the KCSOB, I was a hobo-clown type janitor character that would do pick-up and the occasional routine.  I called myself ‘Bindlestiff Willy’ after researching some hobo terms.  A bindlestiff is the bundle a tramp carries on a stick.  Willy was a nod to Emmet Kelly’s clown character, and ‘stiff willy’ is… you get the idea.  When I started performing in other cities, people thought I was part of the Bindlestiff Family Cirkus, based in New York.  Not wanting to create any confusion, I changed my name to something vaguely old-timey that could relate to any character I play, not just a hobo clown.  ‘Artemisia Vulgaris’ is the Latin word for wormwood, the hallucinogenic part of absinthe. I like the way it sounds, and the way it looks spelled out.  It’s generically sinister, and has the word ‘vulgar’ and ‘art’ in it.

Damian Blake (still) impersonates Charlie Chaplin

Are you wearing pants right now? Nevermind, trick question. What attracted you to burlesque?

To be honest, it was the scantily clad performers. Then once I saw a show, I was hooked on the old-school variety revue format.  I had been struggling for years to find a place to do the type of entertaining I wanted to do.  I thought of going to school and becoming a performer with a professional circus, but Ringling had closed their clown college doors the year I graduated high school.  I tried to audition as a character for Universal Studios (they have roving celebrity impersonators), but at the time, they were not hiring new people due to budget cuts.  I tried community theater, busking, and birthday-party style clowning.  I had been to several local burlesque shows before performing in one, and I knew immediately I had found my niche.  It’s the closest thing to being a vaudeville actor you can get these days.  I get paid to do exactly what I like to do, create my own routines, work along side wonderful, beautiful people, and wear ridiculous costumes.  What other medium includes music, dance, comedy, drag, and sideshow skills?  It’s very therapeutic. (Recently, however, I have had the opportunity to audition for Ringling Brothers Barnum and Bailey Circus in Boston, and it went very well. More on that in the coming months…)

Who makes your costumes?

Ebay and the Salvation Army.  I’m a stickler for good costumes, so I make all my own stuff based on the vintage things I find online or in thrift stores.  The only problem with wearing old clothes is how thick and sturdy they are.  Doing a routine in a three-piece wool suit gets me sweaty very quickly.  I’m pretty handy with a needle and thread, and it’s been a fun challenge finding ways to make costumes work onstage, like pants that can come off in a few seconds, or rigging an outfit to bleed.

Artemus, backstage

What do YOU like to see on stage?  What entertains you?  What inspires you as a performer?

I love any person that grabs my attention from the beginning, and holds it to the very end.  I love weird characters and confident performers.  I love movement timed perfectly to music.  I appreciate the strange and wonderful things people can do with (and to) their bodies. I love sideshow freaks and old circus clowns and people with a really great shtick, even if it’s corny.  It seems like everything has been done before, but if you can give it a new twist or do it really well, I’m sold.

What’s your pet peeve, onstage or backstage?

Inflated egos.  Unnecessary drama.  Lack of air conditioning.  Having to change in a storage closet or a public bathroom… nothing says ‘professional’ like seeing Charlie Chaplin glue on his ‘stache next to the urinal.

Do you have a favorite memorable burlesque moment or story you’d like to share?

I’ve had the pleasure of entertaining across the Midwest with both burlesque and my Chaplin-impersonating work.  I’m a history nut, so getting to perform in old, historic theaters is a real treat.  I got to do a black-tie benefit at the Folly Theater (in Kansas City) a few years ago as Charlie Chaplin, and that was a lot of fun.  I think my greatest burlesque memory to date is traveling to New York with you (Annie Cherry), performing in the burly revue at Coney Island, and having my sister (who was living in Brooklyn at the time) attend the show.  The entire trip was pretty magical, if I may be so sappy.

Artemus as “Arty” the Lounge Lizard

Who are your favorite performers, both vintage and contemporary?

I think it’s pretty obvious that a huge inspiration of mine is silent film comedy, and I love the work of Buster Keaton, Laurel & Hardy, The Marx Brothers, Red Skelton, etc.  The list goes on and on.  I’m fascinated by old vaudeville and music hall performers, and old circus clowns like Emmett Kelly and Otto Griebling.  I find the work of modern day clowns Bill Irwin and Rowan Atkinson to be a real inspiration, and there are a handful of local and national performers who continue to amaze me with their stage presence.

What’s an interesting fact about yourself that you don’t think your fans would guess?

No toenails on my two big toes.  I’ve considered touring as the ‘Toenail-less Wonder’ and forming a whole show around how I lost them, but it has yet to receive a positive response.  Potential backers, please contact me if you are interested.

Do you have any advice for burlesque performers just starting out?

Never stop researching, and never stop exploring what is out there.  There is so much that has been done, and so much that is being done right now.  I think the worst thing a performer could do is think ‘I’m the best I can be, from now on I’ll just coast on the shtick I can do.’  Keep learning, keep practicing, keep experiencing.

Artemus Vulgaris by Vixen Pinup Photography

Find Artemus Vulgaris, a.k.a. Damian Blake at his website, on Facebook, and at his blog The Faux Charlot.

Miss Vixen

Between the pinup contestants and the Kansas City Society of Burlesque, almost 20 gals were backstage, and no one’s claws were out!  Ha ha… Not what one might expect in a pageant environment, but in the Kansas City Pinup Community that Vixen Pinup Photography and Retro Vixen boutique have helped to cultivate, pinup girls and savvy boys alike got together this past Thursday at Knucklehead’s to celebrate some red-hot hot-rod culture, and to debut Vixen Pinup’s 2011 calendar! (FYI, the first printing of the calendar has sold out, and the girls are taking orders for the next run… Contact them for details!)

Eleven beautiful pinup contestants vied for the honor of carry the title for the coming year. Ashley, Amanda, Daretha, Katie O., Ruby Sunset, Dolly DuMaul, Gretchen, Margaret, Betsy Booms, Ave Martini, and Emily strutted their stuff, first in vintage and vintage-inspired bathing suits, then in costume (for the talent portion of our evening), and finally in pinup worthy dresses. Mr. Artemus Vulgaris and I were honored to emcee the pageant, aided by the lovely pick up artiste Bijou Merlot. I always have a good time improvising with Mr. Vulgaris, and improvising was what we did. I always think it’s the little unexpected moments and how you handle them that really are the icing on the cake of a show. (When Katie O.’s music was off cue we did a little impromptu can-can number, for example.) The night’s judges were Nikki Moreno and Candy Cunningham of Vixen Pinup Photography, Melissa Evans of Retro Vixen boutique, and Little Rachel of Little Rachel and the Rhythm Busters. The beautiful Gretchen went home with the crown, with Margaret as first runner up, and the fetching Betsy Booms coming in close as second runner up.  I want to mention something that I absolutely loved about this group of gals. Though many of them hadn’t met before, and they were competing against each other, the mood backstage stayed light and fun all evening. Ladies were helping other ladies into their corsets, passing safety pins, styling each other’s hair… It was a dream.

After the pageant portion of the evening, Arty segued nicely into a (a)rousing rendition of ‘A Little Less Conversation’. He was followed by burlesque performances from Kitty von Minx who did her classic ‘Marahuana’ fandance, Violet Vendetta in a classic tease to ‘Harlem Nocturne’, Daisy Bucket with her rousing rendition of ‘Stuff Like That There’, Honey Valentine with ‘Slowly But Surely’, Veronica Voodoo who always makes me feel like a ‘Natural Woman’, and Your’s Truly with my rendition of ‘Whatever Annie Wants’ and my classic strip to ‘Toot’s Shore’s Blues’. We were assisted by our own lovely pick up gal, Scarlet LaFever. Following the Kansas City Society of Burlesque, Little Rachel and the Rhythm Busters took the stage, and they took it good. Ahem.

Congrats, again, to the lovely new Miss Vixen, Gretchen! Rock that tiara like I know you will!

Click for  an article from Pitch Weekly.

Expand Life

“Life shrinks or expands in proportion to one’s courage.”

-Anaïs Nin, Diary, 1969

Interview with Daisy Buckët

Daisy Buckët is an entertainment force to be reckoned with. She (also known as “he”, a gentleman by the name of Spencer Brown) is The Kansas City Society of Burlesque’s resident drag queen, as well as a prolific solo performer. Spencer is also “Trampolina Sicks” of the Kinsey Sicks, the World’s only dragapella beauty shop quartette.  Spencer answers a few of my questions about inspiration, striptease, and The Golden Girls.

Daisy by Drew Orrin-Brown

How long have you been a performer?

My first solo stage performance came about during a talent show when I was in the fifth grade. I was eleven years old and sang “Some People” from the musical “Gypsy” wearing my grandmother’s clothes. Since then I have enjoyed performing and that was… Well, if I told you how many years ago, then you’d know my age… So let’s just say I’ve only been performing for a few months now. I am also a 2006 graduate from New York’s American Musical & Dramatic Academy and really started getting work when I did a few shows with Ron Megee’s Late Night Theatre (“A Scarrie Carrie Christmas Carol”, “Disaster ’74”).

How would you describe your performance style?

Campy, I suppose. I love to sing but I also love a good-natured ribbing and slapstick and blue jokes. I’ve never been big on improvisation and when I hear the word I get terrified but people tell me I do it well. I guess people need to see more live entertainment.

How did your stage name come about?

I developed it in 2006 and used my favorite character in literature, Daisy Buchanan from Fitzgerald’s “The Great Gatsby”. I love that she’s this blonde, attractive, seemingly sweet and naive person but, in the end, she’s the reason two people are dead. She’s bad news. I knew that was the main structure for my character. I also knew ‘Buchanan’ would never take off so I referenced the name “Bucket” from the British comedy, “Keeping Up Appearances”, where a middle-class woman who tries to be the elite upper class insists her last name is pronounced ‘bouquet’. I love a good running gag.

Daisy by Vixen Pinup Photography

I’m a fan of that show as well… What initially attracted you to burlesque?

Strangely, I never thought I would fall into burlesque. When I was nine, I saw the TV version of the musical “Gypsy” with Bette Midler. The musical is the story of burlesque star Gypsy Rose Lee’s childhood and her overbearing stage mother. I remember when that movie aired, we video taped it and my sister and I would dress up and do the “Gotta Get a Gimmick” number. I had no idea that what I was doing at that age was a song about the art of striptease! Since then I’ve always had a fondness for burlesque. I love the idea of women being sexy and funny and adding a layer of creativity to striptease. I guess that’s what appeals to me -the ‘tease’ in striptease. It’s not just about taking your clothes off, there’s an elegance to it and a playfulness about it. I think it’s a very beautiful form of entertainment.

Who makes your costumes?

Not me! Most of my costumes can be found from various thriftstores and bargain basements. About 90% of my closet comes from Boomerang in midtown. I can always find something at Boomerang. I’ve been going there for quite a few years now.

What do YOU like to see on stage? What entertains you? What inspires you as a performer?

I like to see performers having a good time. I like performers owning their craft. I get uncomfortable watching timid people perform or people that haven’t spent a lot of time working on their act. That’s why I change the channel with all of these reality ‘variety’ programs (“America’s Got Talent”, “American Idol”). I can be amused very easily though. I love vaudeville routines and new takes on old skits. I am always fond of a good singer. To me, a good singer is one that can emote and put meaning to the lyrics their singing. I can only aspire to be that good some day.

What’s your pet peeve?

How did you know about my pet, Peeve?! He’s doing great. Best dog I’ve ever had.

Who are your favorite performers, both vintage and contemporary?

Daisy by Vixen Pinup Photography

I’m sure you’d be surprised if I told you that I think Bette Midler is the greatest entertainer we have today. I also love Marlene Dietrich and Bette Davis. There’s a certain elegance about them and they also worked very hard. They were known as very dominant women and I’m sure they didn’t take no bull from anyone. I like that.

What’s an interesting fact about yourself that you don’t think your fans would guess?

When I get ready for a show and am painting my face, I always have “The Golden Girls” playing on a small TV next to me.

Do you have any advice for burlesque/drag performers just starting out?

Own it. Find your niche. Find what makes you unique and what you have to offer that makes you interesting to watch and own your performance.

Find Daisy at The Kansas City Society of Burlesques Monthly Revue at Korruption, November 20th, and on facebook.

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